If you’re here, you’re probably wondering, how does a compressor plugin work? A compressor plugin is a vital tool for music production, serving as the secret sauce that can transform a good mix into a great one and make a weak sound interesting and punchy. It’s the magic wand that controls the dynamic range of your audio, ensuring that your tracks are well-balanced and sonically pleasing.

Here’s a quick rundown of what we’ll cover:

  • The basics of a compressor plugin
  • Key components like threshold, ratio, attack, release, knee, and gain
  • Practical tips on how to use a compressor plugin effectively
  • Common mistakes to avoid

So, let’s dive in and demystify the art of using a compressor!

Understanding How A Compressor Plugin Works

A compressor plugin is a fundamental tool in music production. Simply put, a compressor plugin works by manipulating the dynamic range of your audio. It’s like a magic hand, constantly adjusting the volume based on what you tell it to do.

The compressor plugin works by reducing the volume of loud sounds and amplifying quiet ones. The distance between the loudest points and the quietest points is what we call dynamic range. Controlling this range is vital as it can prevent distortion and clipping, and maintains a consistent volume throughout the whole track or a single element.

Compressor plugin interface on a computer screen illustrating how does a compressor plugin works in music production.

The importance of using a compressor cannot be overstated. It can enhance the texture of your audio, by emphasizing details, adding sustain, and coloring the sound. This can make the sounds more pleasing to the listener’s ear. What kind of color a compressor adds depends on the compressor. There are transparent compressors, that add no color at all, and there are ‘character compressors‘ that tend to add a bit of character and warmth to your sounds.

Here’s a snapshot of the basics a compressor plugin can do:

Reduce volume of loud soundsPrevents distortion and clipping
Amplify quiet soundsEnsures consistent volume
Enhance texture of audioMakes music pleasing to the ear

So, how does a compressor plugin work? Let’s delve into the key components that make it tick.

Key Components of a Compressor Plugin

A compressor plugin is a bit more complex than a simple volume knob. Each component of a compressor has a unique role, and understanding how they function is crucial to mastering compression. Let’s break down these components one by one.


The Threshold is the point at which the compressor starts to affect the sound. Any sound that exceeds this level will be compressed. It’s like a bouncer, deciding which sounds are too loud and need to be tamed. The threshold is measured in decibels (dB), and you can adjust it according to your needs. Lowering the threshold means more compression while raising it means less compression.


The Ratio determines the amount of compression. It determines the relationship between input level (the volume going into the compressor) and output level (the volume coming out of the compressor). For example, a ratio of 4:1 means that for every 4 dB over the threshold, only 1 dB will come out. The higher the ratio, the more compression. So at 4:1 if the sound is 12dB over the threshold, it will only be at 3dB after the compressor.


The Attack is the speed at which the compressor responds once a sound exceeds the threshold. A fast attack time means the compressor will clamp down quickly on loud sounds, while a slow attack time allows some of the initial ‘punch’ of the sound to come through. This can be particularly useful for preserving the natural dynamics of drums and percussion, or vocals.


The Release is the opposite of the attack. It’s the speed at which the compressor stops compressing after the sound falls below the threshold. A fast release time means the compressor will stop compressing quickly, which can make the audio sound more natural. A slow release time, on the other hand, can smooth out the volume changes and make the audio sound more consistent. This setting can also be used to create the typical ‘pumping’ effect that is so common in EDM genres.


The Knee controls how the compressor transitions from uncompressed to compressed sound. A ‘hard’ knee means the transition is instant, while a ‘soft’ knee means the transition is more gradual. A hard knee will generally make the compression more noticeable, while a soft knee can make it more transparent by slowly easing into the set ratio. A soft knee also means compression will start slightly below the threshold and will only reach the set ratio slightly above the threshold.


Finally, the Gain is the volume control after the compression has been applied. After reducing the volume of loud sounds, your audio will be overall a bit quieter. The gain allows you to bring the level back up to a suitable volume. Often there is a button for ‘auto gain’. This will try to predict the amount of gain to add for the sound to appear as loud as it was before the compression.

Here’s a summary of the key components:

ThresholdDetermines the level at which compression begins
RatioControls the amount of compression
AttackSets the time after which compression starts
ReleaseSets the time after which compression stops
KneeControls the transition from uncompressed to compressed sound
GainAdjusts the overall volume after compression

Understanding these components is the first step to understanding what compression does. The real challenge is learning how to use them effectively though. So let’s move on to how to do that!

How to Use a Compressor Plugin

Using a compressor plugin effectively can take some practice to master. But don’t worry, there are a few tips that will get you to a good starting point with some practice. So let’s go through all the things you should set when using a compressor plugin in order.

Screenshot of a simple compressor plugin demonstrating how to use a compressor plugin in music production. How does a compressor plugin work?
Simple compressor plugin with all necessary controls.

Setting the Threshold

The first step in using a compressor plugin is setting the Threshold. Start by listening to your audio and decide which parts are too loud and need to be tamed. It’s sometimes easier to then loop this section of the audio while setting the rest of the values initially.

Then adjust the threshold until the compressor starts to react to these loud parts. A good starting point is to set the threshold so that the compressor is compressing the peaks of the audio.

Tip: Watch the gain reduction (GR) meter while adjusting the threshold. When it starts to show a few dB of gain reduction at the loudest parts of your track, you’ve found a good starting point.

Determining the Ratio

Next, decide on the Ratio. If you want a subtle compression, a lower ratio like 2:1 or 3:1 will suffice. For more aggressive compression, you might want to go for a higher ratio like 6:1 or even 10:1. Remember, the higher the ratio, the more compression.

Tip: Start with a low ratio and gradually increase it while listening to the effect on your audio. Stop increasing when you start to hear the compression working hard and making the audio sound unnatural. Then back the ratio off a little.

Adjusting the Attack and Release

The Attack and Release settings are all about timing. If you want the compressor to catch the peaks of the audio quickly, set a fast attack time. If you want to preserve some of the natural dynamics and the transients of the audio, a slower attack time will be more suitable.

The release time, on the other hand, determines how quickly the compressor stops compressing after the sound falls below the threshold. A fast release time can make the audio sound more natural, while a slow release time can smooth out the volume changes and make the audio sound more consistent.

Tip: For the attack, start with a fast setting and slowly increase it until you hear the ‘punch’ of the sound coming through. If you don’t want a punch, back it off again until you stop hearing it. For the release, start with a fast setting and increase it until the audio stops ‘pumping’ or ‘breathing’.

Choosing the Knee

The Knee setting is not available on every compressor. So don’t worry if the compressor you are using doesn’t have this setting. If you want the compression to be more noticeable, choose a ‘hard’ knee. If you prefer a more transparent compression, a ‘soft’ knee will be more suitable.

This often depends on the sound you are compressing. For example, more organic sounds, like acoustic instruments and spoken voice, tend to benefit from a softer knee.

Tip: Start with a hard knee for a more aggressive compression and switch to a soft knee for a more subtle and musical compression. This requires a bit of practice, so don’t worry if you don’t understand this at the start!

Adjusting the Gain

Finally, you will need to adjust the Gain to bring the level of the audio back up. When adjusting the gain, it can be important to volume match the sound, so try and make sure your sound after compression appears just as loud as it did before compression.

Of course, sometimes you want the sound to be louder after compression. Always use your ears and don’t forget to listen to your compressed in the context of the whole track.

Tip: Adjust the gain while switching between the compressed and uncompressed sound at the same volume level (bypassing the plugin is an easy way of doing this). This will help you make a more objective judgment about the loudness of the compressed sound.

Here’s a quick recap:

1Set the Threshold
2Determine the Ratio
3Adjust the Attack and Release
4Choose the Knee
5Adjust the Gain

Tips and Tricks for Effective Use of a Compressor Plugin

Now that you know the basics, here are some additional tips and tricks to help you get the most out of your compressor plugin:

  • Start with a Lower Ratio: When you’re starting out, it’s a good idea to start with a lower ratio. This will give you a feel for what the compressor is doing without making too extreme changes to your audio.
  • Use Your Ears: While it’s important to understand what each component does, the most important tool you have are your ears. Listen carefully to the changes the compressor is making to your audio and adjust the settings accordingly.
  • Don’t Overdo It: It’s easy to get carried away with compression. Over-compressing can make your audio sound lifeless and flat.
  • Experiment: Don’t be afraid to experiment with different settings. Each audio track is unique, and what works for one might not work for another. This is also the best way to learn how different amounts of compression sound.
  • Use Compression In Parallel: Sometimes, squashing the sound a bit too much and then mixing it in with the dry signal can sound really good. New York Compression, which is parallel compression, is often used for drums with great effect.
  • Understand Your Material: Different types of audio material will respond differently to compression. A drum track will require a different approach compared to a vocal track, or a violin. Spend some time listening to the characteristics of the audio you’re working with while adjusting the compressor settings and deciding what the sound needs.
  • Bypass Frequently: It’s easy to lose perspective when you’ve spent a while fiddling with settings. Make a habit of frequently bypassing the compressor (turning it off temporarily) to compare the compressed and uncompressed sounds. This can help you make more objective decisions and prevent over-compression.
  • Look Up How The Plugin Works: There are some plugins out there, like the one below this list, that don’t have the typical controls. Those generally model the behavior of real hardware compressors. If in doubt, always reference the plugin manual. In this case, the plugin does not have a threshold knob and you control the ‘threshold’ by increasing the input gain until you get as much gain reduction as you want.
Vintage compressor stock plugin in a Digital Audio Workstation (DAW), showcasing the settings displayed in a way that is typical to hardware compressors.

Common Mistakes When Using a Compressor Plugin

In the journey of mastering a compressor plugin, it’s common to stumble upon a few roadblocks. Here are some common mistakes that producers often make and how to avoid them:

  1. Over-compressing: The most common mistake is over-compressing your audio. While it’s tempting to squash those peaks and make everything loud, over-compression can suck the life out of your music. When everything is squashed, and all detail is just loud, nothing registers anymore. Remember, subtlety is key when it comes to compression.
  2. Ignoring Attack and Release Times: The attack and release times are crucial settings on a compressor. Ignoring those settings can lead to compression doing the opposite of what you want. Instead of punchy drums, you get flat, distorted sounds that don’t cut through the mix. Spend time experimenting with these settings to find the sweet spot.
  3. Setting the Threshold Too Low: If you set the threshold too low, the compressor is working all the time, which can lead to a very unnatural and distorted sound. Sometimes this might be what you want, but for general use, aim to set the threshold so that the compressor is only working on the loudest parts of the audio.
  4. Not Bypassing Regularly: Again, make a habit to bypass frequently to keep a check on what the compressor is doing. Our ears tend to interpret louder as better. Less dynamic range means the audio ‘sounds louder’ even at lower levels, so you might get tricked into thinking your squashed audio sounds good, just because it is loud.
  5. Misunderstanding the Ratio Setting: The ratio setting is not a volume control. It’s a measure of how much compression is applied once the threshold is exceeded. Misunderstanding this can cause you to think the compression is not working and fight against the compression instead of working it.
  6. Ignoring the Knee Setting: The knee setting can greatly influence the sound of the compression. You don’t need it all the time, but ignoring it completely can result in a less transparent and more noticeable compression when you need it.
  7. Not Adjusting the Gain After Compression: After applying compression, the overall volume of the audio might decrease. Not properly adjusting the gain, may lead to mixes appearing weak or elements not cutting through the mix anymore.

Mistakes are part of the learning process. So don’t be afraid to make them. In the beginning, not everything might make sense in practice, but the key is to learn from these mistakes and keep experimenting.


And there you have it! This was our deep dive into understanding how a compressor plugin works. From grasping the basics, and dissecting its key components, to learning how to use it effectively and avoiding common mistakes, you’re now equipped with the knowledge to go out there and compress to your heart’s content.

Remember, mastering the compressor takes some practice. So, experiment, compress a bunch of sounds, and learn as you go. Keep refining your skills, and soon, you’ll be compressing like a pro.

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